HiSt()RY R3PeaTs iTS3Lf...

With out fail things in history always repeats it self. 

If you didnt know that another royal wedding is due to occur tomorrow ... you MUST live under a rock.

I promised my self I would not get sucked into this sudden obsession with the royal family and the wedding BUT its every where so it is kind of hard not to

I found these beautiful picture of the wedding of Charles + Diana during my daily blog surf.. and I just had to share them!

I am a little intrigued with the idea of this fairy tale fantasy of Catherine, an average girl becoming a real life PRINCESS...

But I dont think I will be up at 6 am with the rest of the world! (I'm not a morning person... I guess I'll just have to catch the repeat!) 

Trepide - Jenga 6.0

Kelly Harris

Cassie Bradfield

 Kara Kooy

Sharon Frazier 

Dajana Nedic

Blakeni Walls 

theoretical position

“Architecture is the learned game, correct and magnificent, of forms assembled in the light.” - Le Corbusier

Inducing previous concepts formed in Jenga 3.0 and 4.0, we rethink the captivation produced within a dematerialization of space. In our explorations of illusion and lightness of space we recognize pathways, centers, and nodes etc. as opportunities to forecast a sense of intrigue. The linking of Caravaggio and Evolution amalgamates former concepts to form a loose circulation pattern amidst each of their parts as they come together as a whole. Our chosen team name, “Trepide,” is latin for “in confusion.” This relates to the idea of creating illusions within our architectural design, specifically the illusion of the dematerialization of form. This dematerialization is accomplished through the use of glass and natural light, as well as manipulation of architectural elements such as columns.

Our design work will pay attention to the elements of place explored in Roberto Rengel’s

Shaping Interior Space: domains, centers, paths, nodes, edges, connecters, ends, etc.

In an effort to rethink a traditional frame of boundaries within our spaces, we take note of Jean Bauldrillard’s notions of the concepts in simulacrum or producing a copy without an original in regards to new considerations in order to fill in a basis of substance to begin with. We are forewarned that our additions must meet and develop upon this substance with no degree of simulation involved in our new developments, but rather a redefining of original concepts. In this process of redefining our original concepts, we will also be sure to include the process of questioning our own work, ensuring a close relationship to our design basis. Thoughtfully developing our project in this way shall include our own take on John Summerson’s approach to design history, as seen in his book Heavenly Mansions. Summerson teaches us to think about and question what we learn, in order to develop our own thoughts about history and design as a whole. We are to actively take part in the process, and not simply take things for what they appear to be worth. Witold Rybczynski’s book Home: A Short History of an Idea, while largely historical, can inform our project by forcing us to consider the experiences of the human occupants who will theoretically exist within the spaces we design, with a focus on delight and comfort. Translating the importance of language through stories and narratives helps us draw inspiration from architectural meanings. “It’s not the architectural sense of the buildings that captivates me, but the world they translate”, writes Jean Nouvel in the book The Singular Objects of Architecture. With this, we strive to extrapolate the truth behind the mystery of what shapes a space and how its connections can capture moments of lightness, floating, and

compression. 

design approach

Our aim for this design is to explore the ideas of mystery, lightness, and materiality of space. With special attention toward the connective structure that links the two projects together, a circulation flow is emphasized by a procession of capture and release signaled by visual cues distinguishing it from the existing spaces. With an upward sense of dematerialization, enhanced through the alternating stacking of floors, the overall design evolves in terms of form and lightness. Through both metaphoric and literal analysis we will examine how the use of concept words and approaches from previous projects can help create a dynamic

communal environment.

                                              

Front Elevation

Level 1 Technical Plan

Level 2 Technical Plan

Level 3 Technical Plan

Level 4 Technical Plan

Public Space Perspective

                           Detail of Model

Photo of the Location

collaboration

Our team brings a strong collaborative spirit in working seamlessly together. It is our approach to work side by side in a concerted way, helping each other complete work as the other team member becomes available. It is our strength to listen well and to offer a helping hand as a team foundation. Each designer will bring her own strengths to the design process, and we


 anticipate the final conceptual outcome to be stronger as a result of our collaborative efforts.

We plan to meet as a group in the studio on Mondays, Wednesdays, and Fridays at 2pm, and on Tuesdays and Thursdays at 4pm
. During these designated times and individually we intend to explore, develop, and carry out the project conceptually, visu
ally, and physically. 

order and enrichment

the big picture

The first impression of the residential community we have designed is shaped by materiality. Materials have been chosen to create a sense of lightness that will begin to dematerialize vertically. The orchestrated application of textures and translucencies sets the tone for the spaces to unfold. Enhancing the experience as a navigational tool, surface articulation is employed with a systematic approach throughout the community. As one enters, the navigational system is signaled by material contrasts designating residents’ placement in the overall arrangement. The application of materials (wood platforms as navigational paths, stucco walls as residential units, glass as gathering areas) directs the pathways throughout the arrangement. Enhancing strategies are employed to add layers of complexity to improve the overall experience for the occupant. Subtle articulation is provided through the modulation of the window systems that are applied consistently throughout the overall composition, creating rhythm and order. The subdivision of smaller modules within the surfaces adds environmental complexity and visual interest. The windows and doors add a layer of surface relief through the differentiation of gaps adding further complexity to the visual experience.

The irregular spatial composition defining the community is important in manipulating complexity in the experience of space. The inherent number of units with varying sizes and shapes with immense densities richly influence the complexity in this project. The grouping of units of unequal parts in three perceivable columns are more complex than those where similar units are grouped. Where unequal units are group together, simplicity and harmony are achieved in forming a pattern by the arrangement and its progression vertically. The way of providing ordered complexity in the arrangement of differing elements is by the use of a unifying pattern, regularity of exterior spaces, and materiality. 

It'S B@Rb!3 Bi-()tCh..

Nicki, Nicki... 

Ilove her only because she has a persona like no other. She has taken an idea and owned it.

Her confidence...It is admirable. 

Wh3n LiF3 GiV3s Y()u L3mOns...

Mi C/\sa...

These Villa's prove that time ripens.. 

and there is beauty in every thing... even decay. 

SWAG'DUH...

The Cool Kids...

Their SWAG.

Their COOL

Their CONFIDENCE.

Its not about the clothes... its all about the CONFIDENCE


Inspired. 

InSpiR3. > a LiTtL3 C()L0R TH3RaPy...

P!nN3D..

& the obsession continues...

No matter the style, shape or color.. I love me a button.

I'm Toast.

Because these little cutties have got me pinned!

BoW T!3s aR3n'T JuST f()R B0Ys...

they're for rugs..

and pillows!

When I saw these beautiful bow tie rugs at last weeks furniture market, I almost heaved over and died!

Dream Weavers are the master minds behind the design.

I instantly fell in love but turned green at the same time because I'm jealous I didnt think of it first.

If I dont make one my self...I WILL at least own one, one day.

InSpiR3.

Five Tips on how I find inspiration..

written + rendered by me. :) 

Hope it helps.

An ()p3n MiND.. AN 0PeN Sk3TcH B()0K...

I came across this quote on suzanne's blog.. while ironically looking for inspiration for one of my projects.

www.anopensketchbook.blogspot.com

Citrus.

Ever since I was 15 I have been expressing my creativity through my hair.

If I'm Inspired. Or even a little bored, I tend to switch it up.

First was purple, then orange-ish red (when I got a bang) 

I tried and failed with blue..which turned green and caused me to resort to black, I spiced it up in fall with auburn,

which led to red

It washed out and I rocked light brown,

I got bored and lightened up things with blonde, 

and finally burned up with red AGAIN...

Over the years I have had many colors, but I always fall back to red.

But finally I have decided to step out of the norm and become a red head

.. I KNOW, I KNOW.. I just said red head! But what I mean is

 the orange type of red head.

2009

2010

2011

I'm usually a little spicy with my fire engine red but now im sour.

SOooo just call me CITRUS. :) 

Jenga 7.0 - PORTMANTEAU

Once again we are having to reform and reorder our concepts to fit the pieces of another puzzle.  We have travelled through the 7 Jenga's and have made it to a point from 1 to 3 to 6 to 12! 

It sounds exhausting and I am positive that it will be. More minds means that there will be more opinions which can be a problem but I feel that the collaboration between [E]merge and Trepide could result in a plethora of diverse talent in both hand and computer skills. 

Together the two groups form together to become Team Portmanteau. 

Portmanteau is a word used to describe the blending of two words with two different meanings morphed into one word... like brunch! 

The team name is the perfect representation of the two groups coming together as one. We both emphasize strong axis' of Vertical and Horizontal elements which both speak the same language but in different dialects.. We both have the same concepts, each group simply presents them differently.

 Finding similarities between the two wont be difficult, it is maintaining your designer voice within a room full of voices who are just as loud which will be the challenge. 

[ A little piece of me showing up on the design is what I am striving for]

FiNALLy...

[click on image to see larger]

My first rendering done by hand in the past two semester..

I must say, It has surely been a while.

(feels good to be back)